Tag Archives | La Luz de Jesus

7/14: Milwaukee ’64-’84 – Brick through the Window Book Event!


Brick Through the Window: An Oral History of Punk Rock, New Wave & Noise in Milwaukee, 1964-1984

book release, signing, and reading
Friday, July 14, 7-10 PM

La Luz de Jesus Gallery
Soap Plant – Wacko

4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

 

For the men and women who created the world of music in Milwaukee, the most American of cities, this book is not just an important historical document; it’s critical. Their story is told, and told well. In interviews with the players, and fantastic photos, the adventures and misadventures are chronicled with more gusto than the beer that made Milwaukee famous.
–Wayne Kramer, singer/guitarist/activist, founding brother, the MC5

In late-1970s Milwaukee, a compact circle of locals drew from their city’s cultural heritage, as well as the examples of New York, London, and Los Angeles, to embrace the new in the form of a dynamic punk rock scene. Drawing on influences from 1960s garage rock and early ‘50s rock ‘n’ roll, Milwaukee punks created a formidable body of work. A new book published by Brickboys/Splunge Communications, Inc., tells the story in the words of the pioneers and participants.

Brick Through the Window: An Oral History of Punk Rock, New Wave & Noise in Milwaukee, 1964-1984 chronicles a small number of people who made history in a setting that produced internationally recognized bands such as the Violent Femmes, Die Kreuzen, Plasticland and Oil Tasters. Original interviews with such visionaries as the late Mark Shurilla and Richard LaValliere tell stories of imagination, creativity, resourcefulness, and sacrifice.

Nothing came easily for Milwaukee punks. The police were oppressive, city government was reactionary, the established media scoffed and mainstream rock fans were hostile. An industrial city sinking into the Rust Belt, Milwaukee had a deserved reputation for thrift and hard work, as well as a lingering socialist heritage. Milwaukee’s punks were able to build a scene on a shoestring; their work ethic lent itself to punk rock’s do-it-yourself ethos, and the scene was imbued with a sense of common purpose echoing the city’s history as a bastion of progress.

Compiled from hundreds of hours of interviews, Brick Through the Window brings vividly to life a short-lived period of creativity and excitement in a heartland American town that was home to a musical subculture more prolific and diverse than that of many larger cities.

At 7:00 p.m., on Bastille Day, Friday, July 14, author/editor, Eric Beaumont, and a legendary musician (to be confirmed soon) will celebrate the release of Brick Through the Window with a brief discussion and book signing, with recordings of music mentioned in the book, at La Luz de Jesus Gallery, 4633 Hollywood Blvd.

Your book purchase is your ticket.

As Brick Through the Window makes abundantly clear, the city has a rich indie-rock past that has never been properly recognized or much beyond Lake Michigan. In testimony from hundreds of the scenesters who contributed to Brick Through the Window, the stories of James Chance, the Haskels, Die Kreuzen, the Frogs, Plasticland, Couch Flambeau and dozens more are told in loving, zany and potent recollections that will immediately resonate with anyone who’s ever spent real time in a shitty bar with a stage and a P.A.
-Ira Robbins, co-founder/editor, Trouser Press

Brick Through the Window: An Oral History of Punk Rock, New Wave & Noise in Milwaukee, 1964-1984
by Steven NodineEric BeaumontClancy Carroll, and David Luhrssen
Published by Boswell Book Company
ISBN # 978-1491046975
6 x 9 x 1.8 in.
Shipping Weight: 2 lb.
Music | Rock n Roll | Punk | History | Biography
Price: $22
Click here to buy your copy online

    ABOUT THE AUTHORS

Steve Nodine is a web developer and author of The Cease Is Increase: An Oral History of the Milwaukee Punk & Alternative Music Scene, interviews from which provide the foundation for this book.  Steve has written for the ShepherdExpress, OnMilwaukee.com, Loose magazine and Fall from Grace, in addition to several blog sites.  Steve was the lead singer for the Milwaukee-based bands Dark Façade and Between Walls and has recorded with the renowned Milwaukee noise band Boy Dirt Car.  His most recent musical project is as singer and songwriter for the Milwaukee band Newly Damaged.

Eric Beaumont is a musician, DJ, paralegal, and writer living in Milwaukee.  His literary criticism has appeared in the Cleveland Plain Dealer, African American Review, Milwaukee JournalSentinel and ShepherdExpress.  As Eric Blowtorch he has written, performed, and arranged five albums, seven singles, and numerous songs on compilations and soundtracks.  As a solo singer/guitarist and bandleader, he has played across America and in London, Toronto, and Kingston, where he performed with the Alpha Boys Band.  Beaumont has lectured on Jamaican music and history at the University of Wisconsin-Milwaukee, where he received a Bachelor of Arts degree in History. His published interviews include those with George McGovern, Brian Wilson, Elvis Costello, KRS-ONE, Wayne Kramer, Linton Kwesi Johnson, De La Soul, Manic Street Preachers, Jeffrey Lee Pierce and filmmaker Karyn Kusama.

Clancy Carroll is a musician, record label owner and music writer based in Milwaukee, Wisconsin.  His past bands including Ozone, the Ones, the Dominoes, the Clancy Carroll Band, 3 On Fire, c2, and AlNiCo have released numerous 45s, EPs, CDs, and compilation tracks.  As King and CEO of Splunge Communications, Inc., he has released records by the likes of the Prosecutors, Triple Forbidden Taboo, Wanda Chrome and the Leather Pharaohs and Fuckface, as well as the double-CD compilation History in 3 Chords: Milwaukee Alternative Bands 1973-1982.  Carroll has written record reviews, reviewed live shows and conducted interviews for Autonomy, Milwaukee’s first punk fanzine; Express; and Milk magazine, in which “Clancy’s Kookie Corner” was a reader’s favorite.

David Luhrssen lectured at the University of Wisconsin-Milwaukee and the Milwaukee Institute of Art and Design.  He is the author of Mamoulian: Life on Stage and Screen and Hammer of the Gods: Thule Society and the Birth of Nazism.  He is the coauthor of War on the Silver Screen; Elvis Presley, Reluctant Rebel; Changing Times: The Life of Barack Obama; A Time of Paradox: America Since 1890 and Searching for Rock and Roll.  He has contributed to Women and War and The International Discography of the New Wave, and has been published in Historically Speaking, History Today, Journal of American History, Wisconsin Academy Review and other journals.  Luhrssen is Arts & Entertainment Editor and Film Critic of Milwaukee’s weekly ShepherdExpress.  He has written for Billboard, Entertainment Weekly, the Milwaukee Journal, Op, New York Rocker, Trouser Press and other publications.  He is a commentator on film for WUWM-FM, Milwaukee’s NPR affiliate, and is a co-founder of the Milwaukee International Film Festival.

Only books purchased from La Luz de Jesus are eligible for signing.
For more info, email: sales@soapplant.com.
Call (323)663-0122 to order by phone.

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7/8: Scot Sothern – Big City Book Release at La Luz de Jesus


Scot Sothern Big City
Book release and signing party

Saturday, July 8th, 6-9pm

La Luz de Jesus Gallery
Soap Plant – Wacko

4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

Deliciously strange and compelling, delightfully lurid and fun, Scot Sothern’s debut novel reads like a feral mashup of Cormac McCarthy and William Gibson amped on cornjuice and spiderbite. -Mark Haskell Smith

In the latest work of art-prose from the incomparable Stalking Horse Press, Scot Sothern shows that he’s not just a linguistic power-hitter, but a dynamic storyteller, too. There’s enough imagination on every page of BigCity for an entire novel. – D. Harlan Wilson, author of Battles without Honor or Humanity and Peckinpah: An Ultraviolent Romance

The job of the novelist is to conjure a whole world, and Scot Sothern has done that in spades here. Lush, large-hearted, antic, and fiercely feminist, BigCity is unlike anything else I’ve ever read. – Ron Currie, author of Every Thing Matters, The One-Eyed Man

An explosion of language and characters, a fast-and-loose yet potent and authentic way with our American history, rude and gross and gorgeous and hilarious and heart-rending — “Big City” is everything you want in a novel, bold and challenging and surprising. I love it! – Julie Powell, author of Julie& Julia

Scot Sothern’s profane western satire Big City, is a novel with an unforgettable cast, including the wild Bitch Bantam, pulp writer Slab Pettibone, and his sidekick FuzzyWuzzy the bear in a tale as moving as it is scandalous. Big City  is the birth of feminism, robber barons, media stardom, and motion pictures, where teeming masses have come for a new life and a throw of the dice; with gritty realism and absurdist comedy, Big City is a fantastical adventure and love story examining the dynamics of change and the politics of natural selection.

Scot Sothern: Big City
Paperback
Publisher: Stalking Horse Press (March 15, 2017)
Language: English
ISBN-10: 0997062975
ISBN-13: 978-0997062977
Product Dimensions: 5.2 x 0.9 x 8 inches
Shipping Weight: 15.2 ounces
Price: $20.00

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7/7: La Luz de Jesus Summer Soiree Six Show – Six Artists!


La Luz de Jesus Summer Soiree Six!
a Six Artist Show featuring
Matt Adrian, Dos Diablos, Tracy Lewis, Sean Stepanoff, Annie Terrazzo, Vakseen

July 7 – July 30, 2017
Opening Reception: Friday, July 7th, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

Matt Adrian
Matt Adrian splits his time between Los Angeles and Joshua Tree.

The mood that inspired these paintings came about as a direct, visceral response to the current American political disaster that is currently unfolding. They’re also very much of a place: Los Angeles. While the constant blue skies of Southern California can be enjoyable at first, for me the relentless march of day after day of blue skies occasionally take on an unsettling quality that’s hard to put a finger on. – Matt Adrian


Jorge Dos Diablos
Jorge is self-taught and works predominantly as a painter though also Jorge illustrates festival posters, album covers, and illustrates for print editorials. Jorge lives and works between Guadalajara and Los Angeles and has exhibited in Mexico, the United States, and France.

For some people, it is usual to take off the thorns, but others decide to leave them and watch them grow. I celebrate the hidden human emotions through the paint, I dig from the deepest, from the brain to the guts, from the heart to the stomach or the throat contained. This portraits from the inside of hell, they’re the discomfort nobody wants to see, and every day, they live with them. – Jorge Dos Diablos

Tracy Lewis
Tracy works primarily in transparent watercolor, layering luminous glazes of pure hue to give everything a candy coating of Easter-like color. Inspired by a collection of curiosities, along with a love of fairy tales, Art Nouveau and Old Hollywood Glamour, Tracy creates portraits of ephemeral beauty, often in a contradiction of disquiet and harmony; the compassionate femme fatale.

I am fascinated with the interconnectedness of all things, the strength, and fragility of our world, the duality of nature. The metamorphosis of life and death, the beauty of it all captures my imagination. By listening to nature’s incantations, I hope to portray in my work some of these delicate and unseen forces that surround us. – Tracy Lewis

Sean Stepanoff
In his second featured show at La Luz de Jesus, Sean Stepanoff takes his focus off of hipsters and hip-hop and focuses on the movies they love. Reinterpreting the aesthetic of Ghanaian Barbershop sign painting, he pays homage some of his favorite cult movies.

Annie Terrazzo
Annie Terrazzo surrounded herself with dreams. Her childhood was unorthodox and chaotic, having been raised by a mother who was a schizophrenic adult entertainer and a father who was a formula one race car driver. This chaos was countered by a large family who, through silversmithing and plein air painting, taught her the value of and method to making beauty in the world. After graduating from the Academy of Art in San Francisco, CA, Terrazzo began her career in trash portraiture, focusing on using found objects, newspapers, and magazines. Annie strives to create work that allows the viewer to recognize image and text based language that instantly draws in the viewer and it stands out among other contemporary art due to its familiarity, but also its originality and undeniable intention and masterful craftsmanship.

Back in January 2017, Annie Terrazzo was interviewed by the BBC about the looming Trump Presidency and what it would mean for her and her work. She said, “I’ve always desired to depict strong bad-ass women who would push through the system and overcome the hardships at hand. And now I think I’m just going to be stronger and more bad-ass about how I do that.” During the few months leading up to the La Luz Summer showcase, Annie broadened her scope to include more of these figures, such as women who are struggling to be viewed as more than sexual objects, to enduring bullying on the Internet, to defiant icons of our time. The pieces on display for the La Luz De Jesus summer group show are meant to elevate the viewer to find humor and strength in continuing to persevere in Trump’s world.


Vakseen LLC
While working on hit records has played a driving force in his career, it’s Vakseen’s (born Otha Davis III) passion for the arts that has served as his key to sanity in the entertainment business. The self-taught, Floridian has developed a distinct collage-influenced painting style (Vanity Pop) that fuses elements of cubism, photorealism, fashion design and pop surrealism into vibrantly alluring, abstract portraits. While most viewers assume they’re viewing collage or mixed media art, each creation is in fact meticulously hand painted directly on canvas. Drawing distinct inspiration from our fascination with popular culture, his gallant paintings are a celebration of women, beauty, duality, insecurity, and self-preservation. Currently based in Los Angeles, his paintings have been featured by Adidas, Complex, Juxtapoz, Hi Fructose, Vibe, Bombay Sapphire Gin, and Tupac Shakur’s estate, amongst others.

 

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6/9: Harley Flanagan Cro-Mags Hard-Core Life of My Own Book Event


Harley Flanagan, Hard-Core Life of My Own
book release, signing, and reading
Friday, June 9, 7-10 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

La Luz Harley FlanaganJoin Cro-Mags frontman Harley Flanagan for this book signing event featuring readings, stories & more!

“Don’t even pretend to talk about New York… if you don’t read this. Harley Flanagan’s incredible story is not just the history of New York hardcore, of which he is a founding father, but a history of New York itself. It’s all here, an amazing series of unlikely coincidences, catastrophes, accomplishments, and associations. Chances are if it happened in New York and it was important and interesting, Harley Flanagan was somewhere in the room. If you care anything about music history, punk rock, hardcore or just a ripping good story, this book is the punch in the face you want and need.”
– Anthony Bourdain

“Harley Flanagan is not like you or me. Most of us grew up in relative safety and security. Harley came up like a feral animal, fending for himself in the ’70s Lower East Side jungle of crime, drugs, abuse and poverty. By age 10 he was a downtown star at Max’s Kansas City and CBGB, drumming in his aunt’s punk band The Stimulators, and socializing with Blondie’s Debbie Harry and Cleveland’s Dead Boys. Everyone thought it was so cute, but it wasn’t.” – Steven Blush, author American Hardcore

Harley Flanagan provides a fascinating memoir: a child prodigy and family friend of Andy Warhol and Allen Ginsberg, at a young age he became close to many stars of the early punk rock scene like Joe Strummer of The Clash and was taught to play bass by members of the famed black punk band Bad Brains. He started playing drums for the New York punk band the Stimulators when he was 11 years old; playing at places like Max’s Kansas City with some of the most notable names in the punk scene. He then went on to start the notorious hardcore band Cro-Mags.

Hard-Core: Life of My Own
by Harley Flanagan
Published by Feral House
ISBN # 978-1627310338
5.9 x 1.1 x 8.9 inches | Soft Cover. Pages: 448
Shipping Weight: 1.6 lbs.
Biographies | Memoirs | Music | Punk | Martial Arts
Price: $23.95
Click here to reserve your copy

Harley Frances Flanagan (born 1967) is the founder and bassist of the hardcore punk band, the Cro-Mags. When he was nine, Flanagan published a book of poetry with a foreword written by family friend, Allen Ginsberg. When he was eleven he was playing drums with the New York punk band the Stimulators. He is a father, husband and Renzo Gracie JiuJitsu instructor living in NYC.

Only books purchased at La Luz de Jesus are eligible for signing.
Order your signed copies today by emailing: sales@soapplant.com.
Call (323)663-0122 to order by phone.

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6/2: Gea*’s drawings of distress, dominance, and depravity at La Luz de Jesus


Gea*
showing with
Nathan Anderson, 
Christopher Bales, Howard Hallis
June 2 – July 2, 2017

Opening Reception: Friday, June 2nd, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

Gea* is a Chilean-born, multidisciplinary artist based in New York. Her unique work encompasses drawing, painting, illustration, digital arts and media, photography, film, and animation. An autodidact, she has exhibited solo and in group shows in New York, Los Angeles, Santiago, Zurich, and Toronto and collaborated creatively with Momus, JG Thirlwell and Jeffrey Bützer.

Her delightfully kinky drawings of girls in various degrees of distress, dominance, and depravity draw on influences from Trevor Brown and Stu Mead to Suehiro Maruo and Francis Bacon, but with an informed femininity that makes her work unique and even obsession-worthy.

 

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6/2 – 7/2: Intricate sculptures of Christopher Bales at La Luz de Jesus


Christopher Bales
showing with
Nathan Anderson, Howard Hallis, & Gea*
June 2 – July 2, 2017

Opening Reception: Friday, June 2nd, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

It seems cheap to pigeonhole assemblage artist Christopher Bales’ work as mere steampunk: his aesthetic is older than that. Although he sometimes uses antique and vintage materials associated with the genre, such as metal cogs, the final product often looks more like an altar constructed from the rubble of a pre-Victorian cathedral.

Bales, who has been assembling these intricate sculptures since 1989, said he sources “an enormous amount of objects”—like broken wooden boxes, dolls, clocks, picture frames, figurines—from his weekly visits to flea markets and thrift stores.

When he starts a new piece, he says he doesn’t have a preconceived notion of what the end result will be, but following his intuition when layering cutouts of classic paintings over etchings with skulls and religious imagery creates enough detail for the viewer to stay engaged but not overwhelmed. –Sacramento Bee

Hope, Fear and the Journey to Earth is Christopher Bales third feature exhibition at La Luz de Jesus Gallery.

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6/2: Howard Hallis and the process of lenticulation at La Luz de Jesus


Howard Hallis
showing with
Nathan Anderson, Christopher Bales, Howard Hallis, & Gea*
June 2 – July 2, 2017

Opening Reception: Friday, June 2nd, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

After graduating from UCLA in 1994, Howard Hallis worked as a personal assistant to professor Timothy Leary, collaborating with him on the book Surfing the Conscious Nets: A Graphic Novel. Hallis went on to create a tarot card deck based on the movie Beyond the Valley of the Dolls. Howard’s parody of Jack Chick religious pamphlets, Who Will Be Eaten First?, based on the H. P. Lovecraft Cthulhu Mythos, prompted Chick Publications to issue him a cease and desist letter, and his groundbreaking The Picture of Everything–a fifteen foot tall drawing that references all things Pop Culture, cemented Hallis’ reputation with the Wired crowd.

Howard helped to create websites for the animation studio Klasky Csupo, and produced the live-streaming death of Dr. Timothy Leary–at the cultural icon’s request.  He was a yidcore pioneer as the vocalist of GefilteFuck.  He has written articles for the alternative zine Ben Is Dead and the San Francisco Herald, self-published comics (Alien Man) and collaborated on publications for DC & Marvel. Howard is considered to be one of the foremost authorities on the character Doctor Strange and the process of lenticulation, which provides the medium for this exhibition–including a 22×28″ lenticular of The Picture of Everything.

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This Eve 5/28 Parker Day Icons Book Signing and Pop Up Exhibit


Parker Day: Icons 
Book Release, Signing & Pop-Up Exhibit
Sunday, May 28, 6-9 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
www.laluzdejesus.com

“For each lollipop, teddy bear, or rose-colored hair bow, there is a dead-eyed facial expression or a mouth full of messed-up teeth.” – The New Yorker

“A variety of grotesque and decadent images of club kids, internet stars and self-professed freaks.” – Vogue Italia

“We can’t look away.” – VICE

ICONS is a series of 100 semi-fictionalized portraits of LA’s eccentric personalities.

I believe identity is a malleable construct that we have the power to dismantle. Through my photography, I explore this idea of the invention of identity. I costume my subjects and craft narratives about the character they’re becoming. When they step outside of who they think they are, something more authentic comes through. It’s that presence of true emotion that I’m looking to capture in the trappings of a manufactured circumstance.

“Despite its saturated hues and often humorous subjects, there’s a darkness and a gentle undercurrent of rage that permeates my work. I’m interested in the idea that we have the power to shape our own realities but despite our abundant potential, we often feel beset by our circumstances. This gives rise to tensions and inner conflicts. It’s these feelings of frustration and the search for meaning I want to explore in the face of the absurdity of our existence.—Parker Day

Parker Day is a Los Angeles-based artist whose work explores identity and the masks we wear. Through costuming and exaggerated expressions, Day toys with the truth of who and what she portrays. She deliberately eschews Photoshop in favor of in-camera capture on film. Lurid color bathes her work and heightens the surreality of her subjects while the grain and grit of the photographs make them palpably real. She has received press from publications such as The New Yorker, Juxtapoz, Vice, i-D, and Dazed, among many others.

At 6:00 p.m., on the Sunday before Memorial Day, May 28, author Parker Day, and several of her Icon models will converge upon La Luz de Jesus Gallery, 4633 Hollywood Blvd. for a One Night Only Pop-up Exhibit and Book Signing.

Your book purchase is your ticket.

Icons by Parker Day
Foreword by Ione Gamble
Published by Not A Cult
ISBN # 978-1-945649-06-6
8 x 12 x .5 in.
112 pages (color on semi-gloss 70 lb. paper)
Shipping Weight: 10.1 ounces
Art | Photography | LGBTQI | Fashion
Price: $30

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May 5: Renee French and Scott Teplin at La Luz de Jesus


Renée French – Bunnies / Teachers From Memory
Scott Teplin –  Teachers From Memory / Classrooms Forgotten

May 5 – 28, 2017
Opening reception, Friday, May 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Renée French‘s last exhibition of graphite on vellum was a completely sold out event that left some of the biggest collectors kicking themselves for not getting in touch with us sooner. Renée’s new show is painted and the bar has been raised. Her signature sense of humor is intact and this time she brought along friend Scott Teplin, whose caricature-by-memory portraits of teachers past and classrooms both foreshadowed and forgotten are her mirthful equivalent.

French is an American artist, best known as a comics writer and illustrator, who also enthralls audiences as an exhibiting fine artist. The narratives that unfurl from Renee’s mind and onto her paper, span the wide chasm that exists between child-friendly fairy tales and the dark gritty regions of adult introspection. Working primarily with extremely fine pointed graphite pencils on miniature pieces of paper, often measuring no more than two or three inches square, French conjures up fuzzy and foreboding images which convey humorous, and at times, disturbing tales. Focusing squarely on creating poignant and emotional portrayals of her characters, French saturates them with feeling, giving realism and depth to even the most fantastical of creatures, whether they be beautiful or less so. And with this last thought in mind, if there is one thing that Renee enjoys reminding us, it is that we shouldn’t always judge a book by its cover.

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The Return of First Generation Pop Surrealist, Philip Slagter

Philip Slagter
with Renée French & Scott Teplin
May 5 – 28, 2017
Opening reception, Friday, May 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

“Taking a Selfie with Suami Ku Lele” 57″ by 26″ Acrylic on Stretched Canvas

La Luz De Jesus Gallery proudly presents the return of First Generation pop surrealist, Philip Slagter. A contemporary of Robert Williams, Todd Schorr, and Mark Ryden, Phil was sidelined by tragedy at his tipping point. After a nearly decades-long absence from the Los Angeles contemporary art scene, he’s back and better than ever.

Slagter has lived and painted in New York City, Connecticut, Indiana, Florida, New Mexico, Los Angeles and Montana in the USA, Thailand, the Bahamas, China, Indonesia as well as visits to Africa, Mexico, Guatemala, Hawaii, and Alaska. He has soaked up inspiration from his observations and experiences, ranging from the beginning of the graffiti scene in NYC to West Coast street art, from American wildlife to African tribal art. He is as much a virtuoso at abstraction as he is at realism, with ever-changing subject matter, though always creating in his own style.

Quoted in an article in the Missoulian, the local paper of Missoula where his works are being shown at a local gallery, La Luz de Jesus Gallery Director Matt Kennedy states “Slagter is a skilled technical painter who can maintain a precise level of detail while working on a large scale, which can sometimes thwart other artists”. His works are a “historical mash-up that reflects different eras of kitsch. Slagter’s re-emergence coincides with interest from major New York galleries in lowbrow, a genre of which he is part of the original generation. It’s good to be able to reintroduce somebody like that, who doesn’t love a comeback?”
Above: “Speaking in Tongues”  36 by 36″ Acrylic  on Stretched Canvas

“Texting Words of Wisdom” 18″ by 16″ Acrylic on Stretched Canvas.

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