Tag Archives | Zoe Lacchei

12/1: La Luz de Jesus 31st Anniversary Drawing Show


31st Anniversary Drawing Show
Exhibition: December 1-31
Reception: Fri. Dec. 1, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Artist list: Nathan Anderson, Ana Bagayan, Paul Barnes, Vicki Berndt, Andrew Brandou, Mark Bodnar, Jessica Dalva, Jason D’Aquino, Dave Dexter, Daniel Martin Diaz, Jorge Dos Diablos, Bruce Eichelberger, Frau Sakra, Damian Fulton, Mark Gleason, Derek Harrison, Scott Holloway, Karen Hydendahl, Stephanie Inagaki, Yumiko Kayukawa, Mariam Keurjikian, Zoe Lacchei, Craig LaRotonda, Tracy Lewis, Justine Lin, Lizz Lopez, Danni Shinya Luo, Patrick McGrath Muñiz, Junko Mizuno, Chris B. Murray, Michael Murphy, Mayuko Nakamura, Annie Owens, Rob Reger / Emily the Strange, Van Saro, Deirdre Sullivan-Beeman, Christopher Ulrich, Mel Weiner, Jasmine Worth, Daphne Yap.

2017 is La Luz de Jesus’ 31st year of continuous, monthly exhibitions. Think about that: La Luz de Jesus Gallery is 31 years old!

Some of the artists in this show weren’t even born yet when Billy Shire decided to clear out the storage apartment at the corner of Melrose and Martel, upstairs from his flagship Soap Plant shop with marked purpose. His vision: to showcase the incredible, ethnic folk art he brought back from Mexico, Guatemala, and museum quality pieces from Asia and elsewhere alongside that of his talented friends–people who were finding a hard time being taken seriously by the art establishment of the era in spite of their technical prowess. His experiment has spawned a legacy. The renewed interest in illustration art resultant from his gallery’s success influenced the zeitgeist, and launched industries. The lowbrow movement of California Art (which in turn informed the Pop Surrealists that followed) influenced fashion, television, film and culture. The rest, as they say, is history.

The 31st Anniversary Drawing Show is an invitational event that traces the history of Post-Pop in its birthplace.

We chose from the best illustrators featured in the 31-year history of La Luz de Jesus to create a new, original drawing for this show, allowing us to trace a line all the way from Robert Williams to Annie Owens.

Since this is a drawing show, the work will be graphite, charcoal, colored pencil, ink or ballpoint pen, watercolor and/or gouache on paper. Whatever the preferred technique, the dominant medium of expression will classify the work as a drawing. All works are 16×20″ or smaller before framing.

Preview the entire show at this link

 

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10/2: Zoe Lacchei’s Carnivorous Beauties at La Luz de Jesus


Zoe Lacchei “Carnivorous Beauties”
Showing with Renee French, Aaron Bo Heimlich, and Alessia Iannetti
October 2 – November 1, 2015
Artist reception: Friday, October 2nd; 8-11PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Eclectic and passionate Zoe Lacchei has an unmistakable style which is a fusion of several traditional techniques and materials. Zoe, a resident of Rome, studied human anatomy and Japanese culture, the former affected her enormously: she simply adores Japan, with its contradictions and oddities, with its great sense for the art of image, in a traditional and at the same time modern way, given by Manga, Anime and videogames.

In April 2004 she created thirteen paintings for the Marilyn Manson’s Gold Disc (Golden Age of the Grotesque), collected afterwards in the original portfolio: Metamorphosis, the art of Zoe Lacchei. Her work on Marilyn Manson’s visual evolution has crucially marked her artistic career, both on a graphic level and in terms of visibility.

I have always been a slave to the beauty of others, to the mystery and danger that sometimes can be hidden behind it. In my mind, Eros and Thanatos are omnipresent forces that coexist in a single image. Even if the women I depict are captured in a fixed moment in time, they always have something disturbing about them, a dark and totally feminine power that pushes the observer to ask himself what happened or is about to happen. As carnivore plants, still and perfect, everything is suspended in the expectance of catching glances, of seducing their prey before devouring them in that imperceptible moment in which pleasure and pain become one. -Zoe Lacchei

www.zoelacchei.com

 

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