Tag Archives | Mixed Media

11/3: Jessica Dalva “Mess” at La Luz de Jesus

By Reverberations Media on October 30, 2017 in La Luz de Jesus, News

Jessica Dalva – Mess
showing with Deirdre Sullivan-Beeman
November 3 – 26, 2017
Reception: Fri. Nov. 3rd, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Jessica Dalva – Vestiges Mixed media sculpture, 16×10.5″ round in glass dome, battery operated LED lights.

Jessica Dalva – Mess

This series of sculptures, drawings and paintings were, in great part, brought about as a response to the many disconcerting and unbelievable circumstances that have become commonplace recently. It has been difficult to create artwork in the midst of unprecedented disquiet, so these pieces were attempts to use the frustration and uncertainty we have been facing as a form of small resistance and personal countermeasure. – Jessica Dalva, October 2017

: Snowflakes

: Mutually Assured Destruction

: Make the Best of it

: Best Intentions

: Hold Still

: Idle Thoughts

: Interest of Transparency

Jessica Dalva is a sculptor and illustrator, living and working in the Bay Area of California. She uses a variety of materials and techniques, many of which stem from her work as a fabricator for film and television. Many of her pieces feature elements repurposed from their past lives; bits of fabric, metal, and timber collected from antique fairs or gathered from the woods.

View full preview at this link

www.jessicadalva.com

J.A.W. Cooper “Viscera” Interview

By Reverberations Media on August 5, 2015 in La Luz de Jesus, Studio Visits

J.A.W. Cooper lives in a downtown LA studio apartment bordering the garment, jewelry, and gallery districts with her pet chinchilla Rupert. Her “Viscera” show opens at La Luz de Jesus on August 8.

Tell us about your upcoming show

The theme of this show is Viscera – the theme is not only for content but also for the execution of the pieces – for this particular show I was pushing myself to be more spontaneous and intuitive in how I worked and how I completed the pieces. With each piece I had a rough idea starting out what I wanted but I let the painting go where it wanted in the process.

How is the theme of this show different than your previous shows?

In previous shows, I mapped out exactly how the pieces would look individually and relate as a series. I wanted this show to be a bit more abstractly connected. The previous shows have had such a strong narrative running throughout, but for this show I wanted to be a little more free in how the pieces connected. “Viscera” are guts and intestines, but a “visceral experience” is an instinctual reaction to something and I wanted to bring a little bit more of that rawness, the beauty that I see in the initial works, the rough stuff in sketches, into the finished work . That’s the difference between my previous work and this series.

What inspired you to go in a more improvisational route?

I have had this iron grip over my work in previous years. I felt like I’ve exhausted that – I was pushing myself to give up a little bit of control.

The show is three weeks away and it’s complete?

It’s all done.

Are you usually this efficient?

No! In the past I was very bad at time management.

What made this one different?

I destroyed myself working on my previous show “Laid Bare” – very little sleep and food and social interaction – I’m glad I did it so that I know my limits but on this show I planned ahead to preserve my physical and mental health.

How did you re-discipline yourself?

I had most of it the work done a month ago. The looser theme was beneficial as I could work on pieces when I had the time without the burden of strategizing ahead to how each piece fit into the larger narrative. I started developing the concept a year ago, started creating the actual work nine months, and worked intensively on it for the last three months. I started early, kept a calendar, stuck to a schedule and got it done!

I have a super flexible work schedule. I usually freelance commercially five to ten days a month max so that I don’t burn out and when I have a show like this I’ll usually work a little extra early in the year then I’m free to take months off when I need it.

Let’s talk about the process in creating this show. Did you work on more than one piece at a time?

Not generally, I’ll usually have sketches for a bunch of pieces going at once but once I’m in the painting phase I usually work all the way through. Sometimes I don’t have that luxury, I’ve been doing more oil paintings and then I’ll work on a few at once so that I’m not sitting around uselessly waiting for one to dry. Conceptually I start with word lists and concepts and from there I’ll build sketches and then transfer them to the final surface with a light box or projector. This show has been more experimental in terms of execution – a lot more oil paint and a lot of mixed media.

What kind of mixed media?

I’ve started using a fun process where I’ll transfer the drawing to a paper such as Fabriano or Stonehenge, mount it to a rigid board with matte medium, and I’ll do the first half of the painting in India ink and acrylic washes. Then I seal the surface completely with GAC100 then do oil varnishes and details on top. That allows you to get speed of working with acrylics and India inks and beautiful gradients and washes, but then you get that rich depth and color of working with oils as well.
I did a lot if work directly into sketchbooks which were framed whole, open to that spread. I wanted to have that connection to sketchbooks and sketching, the rough intuitive stuff, the initial spark.

To view the online preview of J.A.W. Cooper’s upcoming August 2015 solo show at La Luz De Jesus gallery in Hollywood click here

To follow J.A.W. Cooper’s work online:
https://instagram.com/jawcooper/
https://jawcooper.com

Jessica Dalva “Hapax Legomena” Studio Visit

By Reverberations Media on April 29, 2015 in La Luz de Jesus, News, Studio Visits

Many of Jessica Dalva’s multidimensional, mixed media works are self-referential in concept, some based on nightmares, internal and external struggles, and even an overheard conversation on a walk where she heard the frightening line “yeah, and everything around her was on fire.” However, in the darkness of these situations, the artist manages to find light, stating, “As much as things can fall apart there’s always something you can find – a positive experience”

“Hapax Legomena” is Dalva’s second solo show at La Luz de Jesus Gallery

: Per Aspera Ad Astra, or We Never Lost Sight of the Horizon

: Per Aspera Ad Astra, or We Never Lost Sight of the Horizon detail

: Sift, or Everything Around Her Was on Fire

: Sift, or Everything Around Her Was on Fire detail

: Barghest, or Look After Me

: Abyss

: Abyss detail

The term “Hapax Legomena” is used to describe words that only appear once in a text or language, often rendering them untranslatable. Each piece in this series revolves around an individual word, a facet, a unique expression of a part of the complex variety of personal battles we fight. These experiences can be difficult to convey due to the lack of a context to anchor them as well as the inherent gap between understanding and expression. The pieces are singular expressions of an idea, hapax legomena, in that they are representing distinctive concepts, as well as attempting to communicate the untranslatable through the imperfect language of art. The show focuses on one’s relationship with oneself, internal wars, and the entanglements of love. The sculptures are a navigation through fears, moments of clarity and joy, and nightmares – Jessica Dalva

Dalva’s works start with loose ideas and take shape as they progress – As her pieces come together the concept becomes more clear – the artist places importance on the specific wording of her titles, though these titles are not set in stone until the piece has reached completion.

Dalva, who often works in the stop-motion animation industry, had originally planned to study fashion design in school, but switched to a major in illustration, with additional study in sculpting and design. Her wide variety of interests, as well as encouragement in school to experiment with as many mediums as possible, has had a major influence on her creative process.

Among the materials neatly organized in her home studio, Dalva works with acrylic paint, aluminum armature wire, aluminum foil, mohair or alpaca hair, glass beads (for eyes), fake & real flower parts, feathers, wood, gold leaf, resin, silver, metal, brass, fabric including silk, flocking and Super Sculpey (polymer clay) to create her incredibly detailed pieces.