Tag Archives | Dave Lebow

Mikal Winn A Desert Home Companion studio visit


Mikal Winn A Desert Home Companion studio visit and interview

LaLuzWinn33cropMikal Winn – A Desert Home Companion
showing with Dave Lebow – Prime Time

May 6 – 29, 2016
Opening reception: Friday, May 6th, 8-11PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Mikal Winn’s jewelry has appeared in the pages of fashion rags such Elle, Lucky, and Teen Vogue, Country star Keith Urban even wore his work on the cover of Playgirl. His commercial creations are collected the likes of Halle Berry, Britney Spears, and many others in the mainstream universe.

On the opposite end of Mikal’s commercial work, he has been creating giant jeweled animals; boars, deer, coyotes and snakes. Using real and faux gemstones, crystals, fossils, vintage chains, buttons and frames, he concocts bizarre, funny, over-the-top beasts.

LaLuzWinn08

A former resident of Columbus Ohio where he attended art school, Mikal moved to LA to be with his now husband. At the time, he was designing beltbuckes, which were picked up by a local LA showroom during the “beltbuckle craze” of 2000. He then became interested in making jewelry. Mikal stayed in LA a year and a half then then decided to make the move to the hi-desert.

Mikal originally hooked up with La Luz de Jesus owner Billy Shire a few years back when they met in Joshua Tree. Shire came to Mikal’s studio, was impressed by his giant jeweled animal assemblage pieces, and asked him to be in the Rouge Taxidermy Show. Other than a piece in the Taxidermy show, and a small 29 Palms show attended by locals, this is Mikal’s first proper gallery exhibition.

At the beginning of this year, Mikal Winn and his husband purchased a beautiful spread in the barren, homesteader dotted area of 29 Palms, in between Joshua Tree and the 29 Palms Marine Corps Base. It is a lush, green oasis in the middle of the dusty desert, with grass and trees, remnants of a horse stable, a vegetable garden, a roofed outdoor area where Mikal states he wants to hold hoedowns for his friends, and of course living quarters, one of which now houses Mikal’s studio. Their spread is fix-up project which they are busily working on, but even in its’ current state, is a beautiful paradise!


This interview with Mikal took place in his studio in April of 2016.

 

What’s the difference in your approach in making jewelry for commercial sale, and creating your assemblage art?

With art you can do whatever you want. With jewelry, I have to stay within the limits of what sells. Throughout the years I’ve learned what sells, if I were to do something really crazy it wouldn’t sell as far as jewelry goes, with art, I can do whatever I want.

Where do you find the objects you put in your pieces?

Thrift stores, antique stores, everywhere. I go through the desert on hikes; I collect all kinds of stuff. Everyone says I’m a hoarder but I’m not a hoarder, everything you see (in his well-organized studio) is going to go into something. You see stuff and know you can do something with it, you just put it in a pile and it eventually comes together.

When you are looking at a pile of junk, what is it that attracts you to the things you pick out?

Anything stupid and silly, I love that stuff, could be scary too, a little off. You see things that are supposed to be cute but are actually scary.

What inspired you to do these assemblage pieces?

When I was a kid, watching Goonies and Indiana Jones. I always liked the gems and jewels and all those flashy things. I’ve always had skulls and bones in my stuff, then gems and Swarovski’s and crystals and jewels. I like to mix them together and bring the dead back to life.

In regards to your jewelry business, do you keep a stock of items, or do you custom make your pieces to order?

I do two seasons, the holiday and then spring summer – I’ll do 30 necklaces, 50 bracelets and 10 earrings for each season – for those I keep it basic as I reproduce them, but in-between (jewelry) shows I do a lot of one of a kind pieces which I’ll take to the shows and sell on hand, something a little more outrageous.

Mikal Winn’s A Desert Home Companion
shows with Dave Lebow’s Prime Time
Opening reception: Friday, May 6th, 8-11PM
and runs through May 29
La Luz de Jesus Gallery
View full show at this link

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Interview: Dave Lebow “Prime Time”


Interview with Dave Lebow “Prime Time”
Showing with Mikal Winn – A Desert Home Companion
May 6 – 29, 2016
Opening reception: Friday, May 6th, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Dave Lebow is a representational painter and illustrator. He has created illustrations and animations for the entertainment industry including Showtime’s Dexter, The Food Network’s The Secret Life Of… and illustrations for Paramount Television’s Medium, ABC’s October Road and the History Channel’s Strange Rituals. He was awarded in the California Open Juried Exhibition for his painting “Mad Love” and he recently completed a portrait commission for Tanya Haden and Jack Black.

Lebow is an educator, instructor, and life drawing teacher at California Institute Of The Arts. He lives with his wife, daughter and two cats in Venice, CA.

This interview was conducted in April of 2016 as Lebow was preparing his new show, Prime Time.

What have you been up to since your last show (Weird Tales Feb 2013 at La Luz de Jesus )

I have been busy trying to make better compositions and working to improve my painting technique.

How is this show different from your last exhibition?

I tried to make some of the new pictures have an otherworldly or uncanny feeling.

Briefly outline your process when creating a piece, from idea to execution.

These days I write down any ideas that come to me when I’m walking, exercising , daydreaming , grocery shopping or meditating. I then take the most interesting of these and draw small compositional thumbnails , lots of them, exploring my ideas in pencil. Only after the little thumbnails are interesting do I then go researching props, locations and find models to realize the vision in the sketch.

Has being an art teacher had any effect on your own creations?

Teaching has forced me to become clearer with myself in how I work so I can impart that knowledge to young painters. It’s really amazing how much I’ve learned teaching drawing from the figure and painting portraits from the live model. I get the opportunity to practice and paint in class in between my walking around and critiquing the students. It’s made my work stronger.

I studied with some fantastic artists when I was young and realism was totally vilified and even ridiculed in much of the media, this was in the early 1970’s. Back then I studied with Burton Silverman at his home studio and some painters teaching at the Art Students League in Manhattan, like David Leffel and Robert Brackman. After my studies in New York, I spent a number of years painting just still life and figure studies in Oklahoma and New Mexico. Later I moved to Los Angeles and went into animation, then in 2009, when I returned to painting full time, I refreshed my skills by studying with Ignat Ignatov and the incredibly skilled painter the late Glen Orbik, and his wife Laurel Blechman. I also studied the last few years with Greg Manchess and have been influenced by his direct painterly approach. There are many other contemporary realist painters who I find are very inspirational, and James Gurney’s books and blog have helped my imaginative work a lot.

What do you feel is the most valuable advice to impart to your students

That it is important to get a handle on one’s craft first when learning to paint. Paint a still-life or a portrait from life, alla prima and get good at that before attempting a large storytelling composition. The analogy I give my students that I teach up at Cal Arts in my portrait painting class is; a composer composing for a symphony has to write for all the musicians in the orchestra, but the painter has to paint all the parts as well as creating the composition and story, so being in shape in terms of technique by painting and drawing from the model from life as much as possible really helps to stay in shape art wise.

 

 

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5/6: Dave Lebow Drags You Screaming into his Paintings…


Dave Lebow Prime Time

May 6 – 29, 2016
showing with Mikal Winn – A Desert Home Companion

Opening reception: Friday, May 6th, 8-11PM

LaLuzMayLa Luz de Jesus Gallery
Wacko / Soap Plant
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Dave Lebow – Prime Time
Dave Lebow is a representational painter and illustrator that was born and raised in Oklahoma. He has a BFA in Painting from Boston University and an MFA in Experimental Animation from Cal Arts. He studied privately with Burton Silverman and at the Art Students League with Daniel Green, David Lefell, Robert Phillip, and Robert Brackman. He has exhibited and sold his work extensively in the Mid West including the Museum Of Fine Art in Santa Fe and shown his films in US and Canadian festivals. He has created illustrations and animations for the entertainment industry including Showtime’s Dexter, The Food Network’s “The Secret Life Of…” and illustrations for Paramount Television’s Medium, ABC’s October Road and the History Channel’s Strange Rituals. He was awarded in the California Open Juried Exhibition for his painting “Mad Love” and he recently completed a portrait commission for Tanya Haden and Jack Black. He lives with his wife, daughter and two cats in Venice, CA.

I want my images to grab you and drag you if not willingly, then kicking and screaming into my picture . I’m inspired and interested in imaginative storytelling pictures that evoke an emotional response. I’m attracted to subject matter from the world of pulp illustration, other worldly realms of fantasy, drama and horror as well as classical illustration and realism. – Dave Lebow

 

 

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