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4/6: Mark Gleason Sleepless at La Luz de Jesus Gallery


Mark Gleason – Sleepless

showing with Bruce Eichelberger
Exhibition: April 6-April 29
Reception: Fri. April 6, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

La Luz de Jesus Gallery is pleased to present Sleepless by artist Mark Gleason. This will mark the artist’s fourth exhibition with the gallery. In this recent body of work the artist is conscientious of the night: of darkness, the moon, stars, dusk, dreams, quiet, restlessness and absurd doings. These are idiosyncratic beings that exist on the edge of humanity and consciousness: semi-sentient figures like somnambulists, animal familiars, shadowy entities, things that go bump in the night, ghosts, and persons engaged in quasi-ritualistic and mysterious activities.

The artist describes the work “This nocturnal realm is fed by many sources that point me roughly in the same direction. I wrestle with insomnia and adrenalizing periods of creativity, with philosophical and psychological themes that continue to occupy me, with the subconscious mind, self-awareness, and solitude. These liminal images are leavened with humor and intensified as theatrical visions.”

Mark Gleason (born 1962 in Connecticut) is a contemporary painter whose work. Mark Gleason received his MS from University of Bridgeport and BFA from Syracuse University. The artist now resides and works in San Mateo, CA

His work has been exhibited in museums and galleries nationally and internationally, including Billy Shire Fine Arts in Los Angeles, Mondo Bizzarro Gallery in Italy, and the Harwood Museum of Art UNM in New Mexico.

Images forthcoming.

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4/6: Bruce Eichelberger – El Ateo at La Luz de Jesus


Bruce Eichelberger – El Ateo

showing with Mark Gleason
Exhibition: April 6-April 29
Reception: Fri. April 6, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

 

La Luz de Jesus Gallery is pleased to present El Ateo by artist Bruce Eichelberger. This will mark the artist’s third exhibition with the gallery. Using images of sexuality, grotesque violence, and distorted figures the artist creates enigmatic like visuals that reveal his contempt for our current political climate and attack the current administration for its xenophobic policies. His work challenges authority and lampoons religious institutions with the same devoutness as those who embrace these antiquated and abusive systems. Personal narratives are presented as fact but purposefully embellished hiding the real truth from viewers.

The artist describes his work as follows: “The best way I can explain it is, there are a lot of things that affect me – the scandal in the church, war, abuse in the government these stories are what drives me. I’ll take little truths and embellish them – so there will be a lot of truths but by the time I complete the work – only I would be aware of the truth that would apply to the piece.”

Bruce Eichelberger (born in California) is a self-taught artist that was given up for adoption at birth. Bruce spent many years incarcerated in the California penal system where he turned to painting and drawing as a means of self-reflection. Since his release, the artist has connected with his biological parents this connection has helped lead him to stop his addiction to drugs giving him closure. His parents are now part of his lifelong journey of artistry.

His work has been exhibited in museums and galleries nationally and internationally, including Harwood Museum in Taos, New Mexico, and Le Halle St. Pierre in Paris, France.

Images forthcoming.

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3/2: Laluzapalooza 2018 at La Luz de Jesus, plus Changing of the Guard…


Laluzapalooza 2018
32nd Annual Group Show

March 2 – April 1, 2018
Opening Reception: Friday, March 2nd, 8-11 PM
La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027

Preview the show:
www.laluzdejesus.com/laluzapalooza-2018

La Luz de Jesus proudly presents their annual juried group exhibition, LALUZAPALOOZA. This gigantic, no-theme show features works from some of the freshest and most relevant artists working today. Once again, the gallery sorted through tens of thousands of submissions from commercial illustrators, graphic designers, tattooists, scenics, students, street taggers, animators and working gallery artists, deciding on 160 plus pieces from 65 or so artists, continuing the tradition of the most exclusive selection of tastefully, jam-packed salon-style exhibited works.

This show is also a milestone as gallery director Matt Kennedy departs from La Luz de Jesus as of the March 2nd opening, to be replaced by Matthew Gardocki. Matthew is an experienced curator and was part of the crew when Soap Plant/Wacko/La Luz de Jesus was on Melrose in the 1990s.

Come see the show, say goodbye to Matt, and hello to Matthew!

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2/24: tokidoki x iHasCupquake Launch Event & Signing


tokidoki x iHasCupquake Launch Event & Signing
Saturday, February 24, 11am–3pm

La Luz de Jesus Gallery
Soap Plant / Wacko
4633 Hollywood Blvd,
Los Angeles, CA 90027
(323) 663-0122
www.laluzdejesus.com

tokidoki has teamed up with iHasCupquake for an adorable collaboration!
To celebrate, we’re hosting a pop-up shop, signing and a bunch of fun activities!

Event details:
Get a chance to shop the full collaboration
We will have a signing with Simone Legno from tokidoki and Tiffany + Mario from IHasCupquake

Photobooth
Sweets
tokidoki costume character
Games
Giveaway poster for the first 300 people

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2/2: Dan Barry – Passing Time at La Luz de Jesus Gallery


Dan Barry Passing Time

Showing with Pool y Marianela and Dan Barry
Exhibition: February 2-25
Reception: Fri. Feb. 2, 8-11 PM
La Luz de Jesus Gallery
4633 Hollywood Blvd, Los Angeles, CA 90027
www.laluzdejesus.com

The artworks in Dan Barry’s Passing Time exhibition have been created in 2017. On one level they are a reflection of the fragility of human life, loss, transitions, and anxiety. And, on another, the series chronicles the artist’s daily personal response to the general climate of dread and chaos found in current world events. For those who choose to take the time to engage with these mixed media drawings, it is Barry’s hope that some of the works utter a delicate whisper, while others deal a more brutal blow.

As with the previous series of artworks, the creation of each art object, from beginning to end, is a purgative and meditative process for Barry. Creation begins with the collecting and gathering of antique frames, found paper and ephemera – close to home and on the artist’s trips abroad. Finding inspiration in these collected objects, images, and surfaces, Barry begins to combine them, creating layers of images, textural beauty, applying meticulous drawing techniques – thus building up a history of marks. The resulting art objects contain surreal visions and personal narratives. Although left intentionally ambiguous in narrative, it is the artist’s goal to provide the viewer with enough signifiers of meaning, and hopefully an emotional charge, thus allowing you to derive your own personal meanings.

Dan Barry, b .1971, Denmark, Wisconsin (currently living and working in Austin, Texas).

“For as long as I can remember I have been an explorer, a collector, an image maker, an artist and a storyteller with a self-revelatory urge. My artworks have always been a reflection, and ambiguous journal, of what is happening in my life, mind, and surroundings at any given time.

I grew up on a farm in a rural part of the American midwest. At a young age, I began digging in old dumps, exploring abandoned farmhouses, gathering and surrounding myself with found images and objects. After completing my chores, I spent a lot of my free time daydreaming, making art and environments. At the age of 15, I became an antique dealer. The money that I earned buying and selling antiques allowed me to attend a private high school and a small liberal arts college where I studied cultural anthropology and fine art. These formative experiences directly influence my love for worn, distressed and perfectly stained surfaces.

Using collected imagery, found objects, and meticulous drawing techniques, I create layers of images, textural beauty, and meaning set in a world of humor and at times fragile vulnerability. The creation of each art object, from beginning to end, is a purgative and meditative process. The resulting art objects contain surreal visions and personal narratives. Although often ambiguous, it is my intention to provide enough signifiers of meaning, and an emotional charge, allowing the viewer to derive their own personal meanings found within my art objects.”

 

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2/2: Click Mort 1954-2017 Posthumorous / Post Mort ’em


Click Mort 1954-2017
Posthumorous / Post Mort ’em

Showing with Pool y Marianela and Dan Barry
Exhibition: February 2-25
Reception: Fri. Feb. 2, 8-11 PM
La Luz de Jesus Gallery
4633 Hollywood Blvd, Los Angeles, CA 90027
www.laluzdejesus.com

Artist Christopher Doran, aka Click Mort, used to leave oddly shaped, altered toys on the shelves of stores in Los Feliz. He began purchasing ceramics off the internet, painstakingly “dismember” them then put them back together in what he called a “recapitiation”, turning the once cute figurines into a surreal, almost deranged mini-sculptures.

Click passed away last October. He was a native of Los Angeles, was a musician who played with The Cramps for a few months and later, The Loafin’ Hyenas but for most of his musical “career”, played solo, at home…

 

Click Mort was more than just an artist on our roster. He was a dear friend,” says Matt Kennedy, the gallery’s director. La Luz de Jesus also published Doran’s book, The World’s Best Loved Art Treasures. Director James Gunn (Guardians of the Galaxy), a collector of Doran’s work, wrote in the book’s introduction: “The thing that represents my soul best of all is an alligator’s body with a little nurse girl’s head on it. At least one person in the world — namely Click — finds that lovely. I know he does because he spent countless hours crafting it. – Matt Kennedy, Gallery director, La Luz de Jesus as quoted in Catherine Wagley’s article about Click for the LA Weekly

 

The artist born Christopher Doran had been working toward his final exhibition when he succumbed to illness in October, 2017. Posthumorous is a posthumous exhibition of ALL of his remaining sculptures, many of which have never before been seen. Click’s arthritis got the best of him towards the end, making it difficult for him to continue creating his art though he lived longer than expected by cleaning up from drug addiction. It was during his clean phase that he created most of his tiny masterpieces.

 

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2/2/18: Pool Y Marianela: Kidstianism at La Luz de Jesus


Pool Y Marianela: Kidstianism,
with Click Mort & Dan Barry

Exhibition: February 2-25
Reception: Fri. Feb. 2, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd, Los Angeles, CA 90027
www.laluzdejesus.com

Pool y Marianela – Tygra (Thundercats) action figure with epoxy putty, on wooden cross, 11.8″x9.8″

 

Pool y Marianela – Kidstianism
Argentine artists, Marianela Perelli and Pool Paolini, turned 33 models of Barbie and Ken into religious icons for an exhibition called “Barbie, the Plastic Religion“. The show featured Barbie as the Virgin Mary and Ken as Jesus Christ and included religious figures from Catholicism, Judaism, Hinduism, Buddhism with versions of Barbie as Joan of Arc, Mary Magdalene and the Virgin of Lourdes. The show provoked widespread controversy in several languages from Argentina to France. As a result, the artists were invited by Mattel and Les Art Decoratifs to display four of their pieces in the museum of decorative arts in the Palais du Louvre, Paris, and were also received in the Vatican by Pope Francis who accepted a gift of their Barbie, “Our Lady of Lujan“.

How many living artists are in the personal collection of The Pope?

For their latest show, Pool y Marianela are returning to the tropes of religion and escapism via Kidstianism, which transforms popular dolls and action figures into religious icons. The centerpiece of this sure-to-be-controversial exhibition will be a life-sized, full-body, edible Christ cake, which will be sold by the slice.

Full preview can be found at this link

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Fri 1/5: Scott Rohlfs – Amurica, The Beautiful at La Luz de Jesus


Scott Rohlfs – Amurica, The Beautiful
Showing with D.W. Marino and Valerie Pobjoy
Exhibition: January 5-28
Reception: Fri. Jan. 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

 

Scott Rohlfs – Amurica, The Beautiful

Scott Rohlfs has exploded on to the scene of the contemporary surrealist figurative art movement since he began exhibiting his works in 2006. Born and raised in Northern California, Rohlfs was an accomplished and gifted artist from a young age. As a maturing adolescent, he discovered his distinct style and fondness for painting deeply personal subject matter. With the help of his supporting family, he was able to devote his passion for painting to a full-time career. His innate passion for expressing mood and emotion on canvas and wood along with his mastery of technique in the airbrush was soon recognized, in the United States and abroad. Rohlfs has been acclaimed as an exceptional new talent, praised for his authentic portraiture. His stylized and sometimes tattooed subjects catapulted him into the heart of the Pop Surrealist movement. His distorted realism drew attention from established artists, collectors, and galleries on the West Coast and immediately propelled Rohlfs to the forefront of a burgeoning art movement. Rohlfs’s stunning portraits have attracted an audience of collectors who treasure owning a rare, truly unique work of art. While his femme fatale portraits mature in style and intensity, they retain his signature ethereal quality that embodies an undeniably feminine force. His portraits always capture elusive moments in the artist’s individual perception and experience, viewed through his imaginative lens.

Painting has always been a means of self-expression for me. Therefore, I paint because I have to and need to, not necessarily because I want to. Subconsciously or not, the figures I paint are a reflection of myself and whatever mood I am in at the time. Each mood is distinct, ranging from subliminal, cryptic expressions to more cognitive states of being and the eyes of my subjects are often the primary focus of expression. Although these surreal paintings are direct reflections of my own emotions and feelings, this style of painting also allows viewers to enjoy the freedom of determining their own interpretations of the subjects.

 

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Friday 1/5: D.W. Marino – Burning Optimism at La Luz de Jesus


D.W. Marino – Burning Optimism
Showing with Valerie Pobjoy and Scott Rohlfs
Exhibition: January 5-28
Reception: Fri. Jan. 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

 

D.W. Marino – Burning Optimism

D.W. Marino majored in graphic arts in college but dropped out after 2 years. His first job was drawing ejection seats for a defense contractor. He toiled at different scientific firms doing technical illustration, typography, color proofing and layout as well as some catalog design work in NYC and label design in San Francisco. Yearning for something different, he started working at a neon sign shop and this leap from working in 2D to 3D led to a series of bomb Christmas ornaments.

While making these ornaments his wife, Allie, was diagnosed with cancer. As a distraction, the two came up with themes for bombs and mounted them in boxes. “We’d sit and talk about a tiki bomb, a Hello Kitty bomb, or Everyone hates clowns…why not bomb them!” The list went on and on, becoming something to focus on that took their minds away from the stress and strain of difficult circumstances.

The “Bombardment” series became the artist’s trademark.

Marino’s dad was a Nuclear Physicist in the weapons industry and was a member of the Sierra Club, so the irony of presenting an anti-war message in sardonic drag presents an evergreen pool of inspiration that is as much rooted in his childhood in the San Francisco Bay Area and the psychedelic art of that period as in his own experience in the munitions industry.

Close observers will notice the tropes of record album covers, the colorful pop art of Peter Max, and the underground comix work of artists Rick Griffen, R. Crumb, Stanley Mouse, Alton Kelley, and Gilbert Shelton–all given a new, multi-dimensional surface and context.

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Fri 1/5/18: Valerie Pobjoy – ONANISM at La Luz de Jesus


Valerie Pobjoy – Onanism
Showing with D.W. Marino and Scott Rohlfs
Exhibition: January 5-28
Reception: Fri. Jan. 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdjesus.com


Valerie Pobjoy – ONANISM

This exhibition showcases the broad talent of one of Los Angeles’ most exciting up-and-coming artists and gives us a unique perspective of how she sees the world around her. Rather than adhere to a strict theme, she has given herself the opportunity to paint freely and wander through her many interests.

While working, I felt self-conscious about incoherence in the subjects of my paintings. Forcing a theme stifled my practice and I had a hard time finding motivation. I thought there should be a clear, linear theme that should be easily read by the viewer. I had to let go of the idea of an obvious direction. I realized that this was a lesson I have to apply to my life, my path is not neatly outlined and easily understood.

Through her decision to paint without reserve, we see a collection of work that is both immensely honest and fluid. Our thoughts and dreams are hardly linear or follow any one theme. Like this exhibition, they roam and move freely between reality and fantasy. This body of work acts like a stream of consciousness and is effortlessly brought together through the lens of the artist and her unique painting style.

Inspired by Degas and Manet, she brings a historical sensibility to our modern world. In pieces for this exhibition such as Empty Stage and Corrupted, what might seem mundane at first glance becomes elevated and even memorialized with each expressive brushstroke. Her brilliant Contemporary Realistic lens is the thread that brings together each portrait, landscape, and still life. Both urban and natural settings are treated with the same respect and reverence and offer up the existential question about beauty in the eye of the beholder.

Additionally, inspired by the great Frida Kahlo, her portraits carry a similar complexity in the way we see her subjects. However, rather than staged settings, we see people caught in moments of thoughts and daydreams that extend beyond their presence in this world. For pieces like Stroke of Midnight and Wildflower, we ask questions and feel drawn to the emotion like moths to a flame. Her work is compelling in the way it elevates these moments we might otherwise overlook and offers them up for exactly what they are. This raw approach is perhaps all the more fascinating in our glitz-and-glamor world where things are often manipulated to hide the truth rather than celebrate it for all that it is.

However, her paintings of animals and mythological creatures show us different kind of honesty by highlighting the simplicity of instinct and intuition in nature. In Hybrid and Fellowship, we see the awe-inspiring nature of wolves and feel the presence of these magnificent creatures undisturbed in their environment. However, in Dawn and Settled, we feel a different connection by observing the simple and pure relationship between a dog and its family. These paintings highlight what most people love about nature and its creatures. There is authenticity that can’t be replicated and genuine beauty that will forever be revered.

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