Archive | La Luz de Jesus

Fri 1/5: Scott Rohlfs – Amurica, The Beautiful at La Luz de Jesus


Scott Rohlfs – Amurica, The Beautiful
Showing with D.W. Marino and Valerie Pobjoy
Exhibition: January 5-28
Reception: Fri. Jan. 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

 

Scott Rohlfs – Amurica, The Beautiful

Scott Rohlfs has exploded on to the scene of the contemporary surrealist figurative art movement since he began exhibiting his works in 2006. Born and raised in Northern California, Rohlfs was an accomplished and gifted artist from a young age. As a maturing adolescent, he discovered his distinct style and fondness for painting deeply personal subject matter. With the help of his supporting family, he was able to devote his passion for painting to a full-time career. His innate passion for expressing mood and emotion on canvas and wood along with his mastery of technique in the airbrush was soon recognized, in the United States and abroad. Rohlfs has been acclaimed as an exceptional new talent, praised for his authentic portraiture. His stylized and sometimes tattooed subjects catapulted him into the heart of the Pop Surrealist movement. His distorted realism drew attention from established artists, collectors, and galleries on the West Coast and immediately propelled Rohlfs to the forefront of a burgeoning art movement. Rohlfs’s stunning portraits have attracted an audience of collectors who treasure owning a rare, truly unique work of art. While his femme fatale portraits mature in style and intensity, they retain his signature ethereal quality that embodies an undeniably feminine force. His portraits always capture elusive moments in the artist’s individual perception and experience, viewed through his imaginative lens.

Painting has always been a means of self-expression for me. Therefore, I paint because I have to and need to, not necessarily because I want to. Subconsciously or not, the figures I paint are a reflection of myself and whatever mood I am in at the time. Each mood is distinct, ranging from subliminal, cryptic expressions to more cognitive states of being and the eyes of my subjects are often the primary focus of expression. Although these surreal paintings are direct reflections of my own emotions and feelings, this style of painting also allows viewers to enjoy the freedom of determining their own interpretations of the subjects.

 

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Friday 1/5: D.W. Marino – Burning Optimism at La Luz de Jesus


D.W. Marino – Burning Optimism
Showing with Valerie Pobjoy and Scott Rohlfs
Exhibition: January 5-28
Reception: Fri. Jan. 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

 

D.W. Marino – Burning Optimism

D.W. Marino majored in graphic arts in college but dropped out after 2 years. His first job was drawing ejection seats for a defense contractor. He toiled at different scientific firms doing technical illustration, typography, color proofing and layout as well as some catalog design work in NYC and label design in San Francisco. Yearning for something different, he started working at a neon sign shop and this leap from working in 2D to 3D led to a series of bomb Christmas ornaments.

While making these ornaments his wife, Allie, was diagnosed with cancer. As a distraction, the two came up with themes for bombs and mounted them in boxes. “We’d sit and talk about a tiki bomb, a Hello Kitty bomb, or Everyone hates clowns…why not bomb them!” The list went on and on, becoming something to focus on that took their minds away from the stress and strain of difficult circumstances.

The “Bombardment” series became the artist’s trademark.

Marino’s dad was a Nuclear Physicist in the weapons industry and was a member of the Sierra Club, so the irony of presenting an anti-war message in sardonic drag presents an evergreen pool of inspiration that is as much rooted in his childhood in the San Francisco Bay Area and the psychedelic art of that period as in his own experience in the munitions industry.

Close observers will notice the tropes of record album covers, the colorful pop art of Peter Max, and the underground comix work of artists Rick Griffen, R. Crumb, Stanley Mouse, Alton Kelley, and Gilbert Shelton–all given a new, multi-dimensional surface and context.

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Fri 1/5/18: Valerie Pobjoy – ONANISM at La Luz de Jesus


Valerie Pobjoy – Onanism
Showing with D.W. Marino and Scott Rohlfs
Exhibition: January 5-28
Reception: Fri. Jan. 5, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdjesus.com


Valerie Pobjoy – ONANISM

This exhibition showcases the broad talent of one of Los Angeles’ most exciting up-and-coming artists and gives us a unique perspective of how she sees the world around her. Rather than adhere to a strict theme, she has given herself the opportunity to paint freely and wander through her many interests.

While working, I felt self-conscious about incoherence in the subjects of my paintings. Forcing a theme stifled my practice and I had a hard time finding motivation. I thought there should be a clear, linear theme that should be easily read by the viewer. I had to let go of the idea of an obvious direction. I realized that this was a lesson I have to apply to my life, my path is not neatly outlined and easily understood.

Through her decision to paint without reserve, we see a collection of work that is both immensely honest and fluid. Our thoughts and dreams are hardly linear or follow any one theme. Like this exhibition, they roam and move freely between reality and fantasy. This body of work acts like a stream of consciousness and is effortlessly brought together through the lens of the artist and her unique painting style.

Inspired by Degas and Manet, she brings a historical sensibility to our modern world. In pieces for this exhibition such as Empty Stage and Corrupted, what might seem mundane at first glance becomes elevated and even memorialized with each expressive brushstroke. Her brilliant Contemporary Realistic lens is the thread that brings together each portrait, landscape, and still life. Both urban and natural settings are treated with the same respect and reverence and offer up the existential question about beauty in the eye of the beholder.

Additionally, inspired by the great Frida Kahlo, her portraits carry a similar complexity in the way we see her subjects. However, rather than staged settings, we see people caught in moments of thoughts and daydreams that extend beyond their presence in this world. For pieces like Stroke of Midnight and Wildflower, we ask questions and feel drawn to the emotion like moths to a flame. Her work is compelling in the way it elevates these moments we might otherwise overlook and offers them up for exactly what they are. This raw approach is perhaps all the more fascinating in our glitz-and-glamor world where things are often manipulated to hide the truth rather than celebrate it for all that it is.

However, her paintings of animals and mythological creatures show us different kind of honesty by highlighting the simplicity of instinct and intuition in nature. In Hybrid and Fellowship, we see the awe-inspiring nature of wolves and feel the presence of these magnificent creatures undisturbed in their environment. However, in Dawn and Settled, we feel a different connection by observing the simple and pure relationship between a dog and its family. These paintings highlight what most people love about nature and its creatures. There is authenticity that can’t be replicated and genuine beauty that will forever be revered.

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12/1: La Luz de Jesus 31st Anniversary Drawing Show


31st Anniversary Drawing Show
Exhibition: December 1-31
Reception: Fri. Dec. 1, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Artist list: Nathan Anderson, Ana Bagayan, Paul Barnes, Vicki Berndt, Andrew Brandou, Mark Bodnar, Jessica Dalva, Jason D’Aquino, Dave Dexter, Daniel Martin Diaz, Jorge Dos Diablos, Bruce Eichelberger, Frau Sakra, Damian Fulton, Mark Gleason, Derek Harrison, Scott Holloway, Karen Hydendahl, Stephanie Inagaki, Yumiko Kayukawa, Mariam Keurjikian, Zoe Lacchei, Craig LaRotonda, Tracy Lewis, Justine Lin, Lizz Lopez, Danni Shinya Luo, Patrick McGrath Muñiz, Junko Mizuno, Chris B. Murray, Michael Murphy, Mayuko Nakamura, Annie Owens, Rob Reger / Emily the Strange, Van Saro, Deirdre Sullivan-Beeman, Christopher Ulrich, Mel Weiner, Jasmine Worth, Daphne Yap.

2017 is La Luz de Jesus’ 31st year of continuous, monthly exhibitions. Think about that: La Luz de Jesus Gallery is 31 years old!

Some of the artists in this show weren’t even born yet when Billy Shire decided to clear out the storage apartment at the corner of Melrose and Martel, upstairs from his flagship Soap Plant shop with marked purpose. His vision: to showcase the incredible, ethnic folk art he brought back from Mexico, Guatemala, and museum quality pieces from Asia and elsewhere alongside that of his talented friends–people who were finding a hard time being taken seriously by the art establishment of the era in spite of their technical prowess. His experiment has spawned a legacy. The renewed interest in illustration art resultant from his gallery’s success influenced the zeitgeist, and launched industries. The lowbrow movement of California Art (which in turn informed the Pop Surrealists that followed) influenced fashion, television, film and culture. The rest, as they say, is history.

The 31st Anniversary Drawing Show is an invitational event that traces the history of Post-Pop in its birthplace.

We chose from the best illustrators featured in the 31-year history of La Luz de Jesus to create a new, original drawing for this show, allowing us to trace a line all the way from Robert Williams to Annie Owens.

Since this is a drawing show, the work will be graphite, charcoal, colored pencil, ink or ballpoint pen, watercolor and/or gouache on paper. Whatever the preferred technique, the dominant medium of expression will classify the work as a drawing. All works are 16×20″ or smaller before framing.

Preview the entire show at this link

 

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11/3: Deirdre Sullivan-Beeman – Girls, Girls, Girls


Deirdre Sullivan-Beeman – Girls, Girls, Girls
showing with Jessica Dalva
November 3 – 26, 2017
Reception: Fri. Nov. 3rd, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Giant Girl
Oil and egg tempera on linen panel, 43×24″ in 51×32″ frame

The era of girls is now. Girls aren’t afraid to be obvious. Girls aren’t afraid to be naughty. Girls aren’t afraid to be girls. Today’s girl is an emerging phenomenon. What is her secret ingredient? It’s not only about being treated equally, it’s about being strong, present – a “wonder woman.” The powerful femininity arising now is a direct translation of the yin energy that I idolize. My work comes from someplace subliminal… a magical realm. It’s the unknown where I like to go. The characters that have been inhabiting my dreams are all here. As if I’ve been holding my breath and this is the first, fullest exhalation…Girls, Girls, Girls. Deirdre Sullivan-Beeman is a self-taught figurative and contemporary surrealist painter who combines 14th century painting techniques and magic realism to create pieces that appear to glow from within. Celebrating the hard-earned wisdom of childhood, she depicts subjects that are often young, hauntingly innocent, and teetering on the edge of naïveté.

Deirdre Sullivan-Beeman is a self-taught figurative painter who uses modified oil and egg tempera techniques of the 14th Century Old Masters to create magical realism works that appear to glow from within.

Celebrating the hard-earned wisdom of childhood, Sullivan-Beeman depicts subjects who are often young, hauntingly innocent and teetering on the edge of naïveté. She uses her personal dream journal to provoke her artwork, exploring Jung’s collective unconscious with an overt curiosity for the bizarre and the esoteric, especially alchemy and the tarot. Her work has been shown at Aqua Art Miami, FL; C Emerson Fine Arts in St. Petersburg, FL; Corey Helford Gallery and La Luz de Jesus Gallery in Los Angeles, CA; Stephen Romano Gallery and Gristle Gallery in Brooklyn, NY; Phylogeny Contemporary, Seattle, WA; Greg Moon Art in Taos, NM.; Merlino Galleria d’Arte Contemporanea, Florence, Italy and Art! Vancouver, BC, Canada

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11/3: Jessica Dalva “Mess” at La Luz de Jesus


Jessica Dalva – Mess
showing with Deirdre Sullivan-Beeman
November 3 – 26, 2017
Reception: Fri. Nov. 3rd, 8-11 PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Jessica Dalva – Vestiges Mixed media sculpture, 16×10.5″ round in glass dome, battery operated LED lights.

Jessica Dalva – Mess

This series of sculptures, drawings and paintings were, in great part, brought about as a response to the many disconcerting and unbelievable circumstances that have become commonplace recently. It has been difficult to create artwork in the midst of unprecedented disquiet, so these pieces were attempts to use the frustration and uncertainty we have been facing as a form of small resistance and personal countermeasure. – Jessica Dalva, October 2017

Jessica Dalva is a sculptor and illustrator, living and working in the Bay Area of California. She uses a variety of materials and techniques, many of which stem from her work as a fabricator for film and television. Many of her pieces feature elements repurposed from their past lives; bits of fabric, metal, and timber collected from antique fairs or gathered from the woods.

View full preview at this link

www.jessicadalva.com

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9/2: A Compelling Approach to the Immigration Debate


There Goes the Neighborhood:
How Communities Overcome Prejudice and Meet the Challenge of American Immigration

Book signing and community event with
Ali Noorani, Executive Director of the National Immigration Forum
Saturday, September 2nd, 7-10pm

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

“At a time when the divisions in American life have been hardening, Ali Noorani has produced a powerful portrait of a changing nation by carefully working to understand the perspective not only of those who agree with him but also of those who come to the issues surrounding what he rightly calls ‘America’s identity crisis’ with very different values and perspectives. In this inspired travelogue across some of the most contested ground in national life, Noorani has offered our political leadership a road map for how to shift our dialogue away from what divides us and toward the values all Americans hold in common.”

—Ron Brownstein, senior editor, the Atlantic, and senior political analyst, CNN

“Ali Noorani has brought unlikely allies together in faith, law enforcement, and business communities to find common ground on the complex issue of immigration, helping neighborhoods adjust to, and even embrace, their changing identities and welcome newcomers eager to contribute to our nation’s economy. This is must-reading for all Americans who want to understand where we go from here, and why we must continue to be a nation of immigrants to make America truly great.”

—Bill Richardson, former governor of New Mexico, US ambassador to the United Nations, and US Secretary of Energy

“Noorani goes beyond the rhetoric to examine all sides of the immigration debate. Now, more than ever, we must harness the resource of immigration to ensure that America continues to be the most innovative and entrepreneurial nation. Noorani shows how we can adapt to changing demographics for the good of the nation, without giving in to fear.”

—Steve Case, chairman and CEO of Revolution, and author of The Third Wave

“This is an essential book to understand the fear, challenges, and opportunities on both sides of the immigration debate. ‘Elections matter. Culture matters more,’ writes Ali Noorani. He’s right. Nothing will change until ‘white America sees changes to their neighborhoods as a net positive to their lives.’ This book, in many ways, explains why Trump won the election and why an honest debate on immigration is urgent. Your neighborhood depends on it.”

—Jorge Ramos, senior news anchor, Noticiero Univision and America with Jorge Ramos

This compelling approach to the immigration debate takes the reader behind the blaring headlines and into communities grappling with the reality of new immigrants and the changing nature of American identity. Ali Noorani, the Executive Director of the National Immigration Forum, interviews nearly fifty local and national leaders from law enforcement, business, immigrant, and faith communities to illustrate the challenges and opportunities they face. From high school principals to church pastors to sheriffs, the author reveals that most people are working to advance society’s interests, not exploiting a crisis at the expense of one community. As he shows, some cities and regions have reached a happy conclusion, while others struggle to find balance.

Whether describing a pastor preaching to the need to welcome the stranger, a sheriff engaging the Muslim community, or a farmer’s wind-whipped face moistened by tears as he tells the story of his farmworkers being deported, the author helps readers to realize that America’s immigration debate isn’t about policy; it is about the culture and values that make America what it is. The people on the front lines of America’s cultural and demographic debate are Southern Baptist pastors in South Carolina, attorneys general in Utah or Indiana, Texas businessmen, and many more. Their combined voices make clear that all of them are working to make America a welcome place for everyone, long-established citizens and new arrivals alike.

Especially now, when we feel our identity, culture, and values changing shape, the collective message from all the diverse voices in this inspiring book is one of hope for the future.

About the Author
Ali Noorani is the Executive Director of the National Immigration Forum, an advocacy organization promoting the value of immigrants and immigration. Prior to joining the Forum, Noorani was Executive Director of the Massachusetts Immigrant and Refugee Advocacy Coalition, and has served in leadership roles within public health and environmental organizations. In 2015, Noorani was named a lifetime member of the Council on Foreign Relations.

Noorani is a sought-after commentator, and has been interviewed by the New York Times, the Washington Post, the Economist, the Associated Press, and by several other national, regional, and international media. He is also a frequent guest on a range of television and radio shows, including MSNBC, the Lou Dobbs Show, the Bill O’Reilly Show, the Sean Hannity Show, Washington Journal, PBS Newshour, Fusion, NPR (the Diane Rehm Show, On Point, and Marketplace), and is an op-ed contributor to CNN.com, FoxNewsLatino.com, among others. Noorani is a regular guest on local talk radio shows across the country.

Ali Noorani
There Goes the Neighborhood:
How Communities Overcome Prejudice and Meet the Challenge of American Immigration

Hardcover
Publisher: Prometheus Books
Language: English
ISBN-10: 1633883078
ISBN-13: 978-1633883079
Product Dimensions: 6.2 x 1.1 x 9.3 inches
Shipping Weight: 1.2 pounds
Price: $25.00

Email the book store to reserve your copy today.
sales@soapplant.com

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10/6: 21st Anniversary Art of Tiki Show and Book Release


21st Anniversary Art of Tiki Show
Exhibition: Oct 6-29
Book release & signing party
Friday, October 6, 8-11 PM

With Otto Von Stroheim, Sven Kirsten
& over 30 of Today’s Top Tiki Artists

The Art of Tiki is published in conjunction with the 21st Anniversary Tiki Art Exhibition curated by Otto Von Stroheim at La Luz de Jesus Gallery in Los Angeles.

The Art of Tiki is a passionate study of the Tiki idol as an art form. For the first time, contemporary Tiki art is united and presented equally with what inspired it; original mid-century Polynesian pop. Sven Kirsten combines his firsthand experiences in exploring the birth of Tiki style with his intimate knowledge of the Tiki Revival, painting a vivid, visually arresting portrait of a unique, always new art genre.

The Art of Tiki is written by Otto von Stroheim, Sven Kirsten, and Jordan Reicheck, with Introduction by Shag.

Artist list:
Atomikitty a/k/a Susannah Mosher, Bai, BigToe a/k/a Tom Laura, Bosko, Crazy Al Evans, Andrew Brandou, Richey Fahey, Mary Fleener, Geko, Dave Hansen, Mike Hoffman, Doug Horne, Danielle Mann, Mitch O’Connell, Eric October, Brad “Tiki Shark” Parker, Ken Pleasant, Rick Rietveld, Ken Ruzic, Mookie Sato, Scott Scheidly, Shag, Dale Sizer, Thor, Tiki Diablo, Tiki Tony, Michael Uhlenkott, Jeffery Vallance, Donella Vitale, Von Franco, Derek Yaniger.

Full preview, and book info at this link

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8/1: Harold Fox – So Long and Thanks for All the Fish at La Luz de Jesus


Harold Fox  So Long, and Thanks for All the Fish
showing with The Fifth Annual Coaster Show

September 1 – October 1, 2017
Opening Reception: Friday, Sept. 1st, 8-11 PM
Closing Party: Sunday, Oct. 1st noon-six PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

The pictures I have made try to represent, to some extent, everyone’s experiences in perhaps a surreal or a fantasy form. An ambiance or deja vu familiarity maybe from a dream, or a nightmare and even a reality that exists somewhere. It is the negative experience that is most enduring, at least for me…like sitting down to enjoy your favorite pie only to discover a dead fly on it.

I hope the viewer enjoys each piece as much as I did creating it. This will be my last art exhibition in Southern California. — Harold Fox

Harold Fox has enjoyed unprecedented success in his retirement. Each of his previous exhibitions has completely sold out, and so we are sad to announce that this will be his last exhibition in Los Angeles. If you’ve been waiting to add one of his vivid reminiscences of a bygone era to your own art collection, now is the time to do it. If Charles Bukowski used paintbrushes instead of a typewriter, the outcome might look something like this. But there’s also a bit of Steinbeck and Hemingway and a whole lot of Nightmare Alley. Like a skid row Robert Williams, or a sideshow Frank Cassara, Fox’s work is both cartooned, but realistic, with the types of surrealist flourishes that would make Dali proud. Fox’s is a dark, shadowy world of second rate carnivals, low rent flophouses and dustbowl trailer parks filled with ornery hustlers, scheming grifters, and Machiavellian femmes fatales, as witnessed by a support cast of affable hobos and menacing clowns.

View the full preview of the show, along with the Coaster Show, at this link

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9/1: The Fifth Annual Coaster Show at La Luz de Jesus

The Fifth Annual Coaster Show
& Harold Fox –  So Long, and Thanks for All the Fish

September 1 – October 1, 2017
Opening Reception: Friday, Sept. 1st, 8-11 PM
Closing Party: Sunday, Oct. 1st noon-six PM

La Luz de Jesus Gallery
4633 Hollywood Blvd,
Los Angeles, CA 90027
www.laluzdejesus.com

Full preview at this link

It’s the Wooden Anniversary of the La Luz de Jesus Coaster Show. What started as a last minute substitution has grown into one of the most anticipated events of the LA Art Scene, now in its fifth year!

We’ve all done it. We’ve sat at the bar, drinking a beer and doodled on a coaster.

But most of us aren’t the extremely skilled painters, illustrators, animators, tattooists, sculptors or collage artists that are featured in this exhibition that takes a love of craft brewing and elevates it to high art.

We produced a custom canvas for some of our favorite gallery folks to do what they do best, and transform a 4″ tondo coaster into museum worthy exhibition pieces.

In the past four exhibitions, we’ve had pieces by Ron English and Mark Ryden, given first exhibitions to hundreds of emerging artists and turned a few dozen newcomers into bonafide stars. This year, we’ll again dot our walls with over 1000 tiny masterpieces priced $250 or less!

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